HOW NOT TO PAINT A WALL WHITE PART 2 AND THE VARIOUS LIVES OF ‘THE WORLD ISN’T WORKING’.

Posted on January 27, 2012 by Mark Titchner

'The World Isn't Working', wall drawing, acrylic and emulsion. 2011

Installed at ‘An action, event or other thing that occurs or happens again’ Bonnington Gallery in Nottingham. November/December 2011. Curated by Candice Jacobs.

'The World Isn't Working', wall drawing Mark Titchner

Photos Phil Jackson.

'The World Isn't Working', wood carving, 2008, Mark Titchner

'The World Isn't Working', Wood Carving, 2008, Mark Titchner

Installed in ‘An action, event or other thing that occurs or happens again’ One Thoresby Street, Nottingham. November/December 2011.

'The World Isn't Working' Digital print on vinyl, 2008

Installed Downstairs Gallery, as part of ‘Change The World Or Go Home.’ At Great Brampton House, 2011.

'The World Isn't Working', Digital Print On Vinyl, 2008, Mark Titchner

Installed at Peres Projects, ‘Plateau Aurora Borealis’ 2008

'The World Isn't Working', Performance, 2008, Mark Titchner

Performance of ‘FEEL BETTER NOW! Apathy and the New Sincerity’ by Johnny Woo and Jeanette.

'The World Isn't Working', Patch, 2011, Mark Titchner

Patches commissioned by Tate, 2011.

'The World Isn't Working', Billboard Poster, 2008. Mitte, Berlin

‘Labour Isn’t Working’, Poster, Saatchi & Saatchi, 1979

COMPLETE VIDEO WORKS – THE HIPPY CONFIGURATIONS (THE WHITE LITE 2007).

Posted on January 25, 2012 by Mark Titchner

‘Fear of life’, 2007. Loop

‘Madonna’, Mark Titchner, 2007. Loop

‘New Man, New Woman’, 2007. Loop

‘Tantric Separation’, 2007. Loop

'Hippy Configuration', Mark Titchner, 2007

'Hippy Configuration', Installed as part of 'White Lite from the Eye of Infinity' Vilma Gold Gallery, London 2007

MAN AND HIS MARK (ONE MORNING ON THE WAY TO THE STUDIO: THE CONCRETE POETS OF HACKNEY ROAD)

Posted on January 24, 2012 by Mark Titchner

'Hand', Hackney Road, London

'Feet', Hackney Road, London

'Cock', Hackney Road, London

'Itchy', Hackney Road, London

'Smoke Weed', Nunhead, London

'F%$k You', Hackney Road, London

'Acid', Walsall.

COMPLETE VIDEO WORKS – ‘DISCLOSURE’, 2009.

Posted on January 24, 2012 by Mark Titchner

‘DISCLOSURE’, 2009. Duration 59:00.

COMPLETE VIDEO WORKS – ASCENT (ATTENTION AND HABITUATION), 2011.

Posted on January 24, 2012 by Mark Titchner

ASCENT (ATTENTION AND HABITUATION), 2011. Duration 9:59.

Installed with the works ‘Expansion’ and ‘Contraction’ (both 2011). Cruise and Callas, Berlin, 2011.

‘Contraction (2012 Loveknot)’, 2011
Burnt wood, varnish, aluminium 85 x 85 x 7 cm

Expansion (2012 Loveknot), 2011
Burnt wood, varnish, aluminium
85 x 85 x 6,5 cm

COMPLETE VIDEO WORKS – ‘N(I)B’, 2011.

Posted on January 24, 2012 by Mark Titchner

‘N(I)B’, 2011. HD Projection, duration 56:34.

COMPLETE VIDEO WORKS – ‘THE EYE DON’T SEE ITSELF’. 2007.

Posted on January 24, 2012 by Mark Titchner

‘The Eye don’t see itself’, Mark Titchner, 2007. Duration 6:46.

A THIRTY ONE DAY PROGRAMME

Posted on January 19, 2012 by Mark Titchner

Bus-Tops is a public art project which won the London arc of the Arts Council/LOCOG ‘Artists Taking The Lead’ competition. ‘Artists taking the lead’ is the UK Arts Councils’ flagship project for the London 2012 Cultural Olympiad. The project is one of 12 commissions across the nation, one in each of the English regions and one in each of Scotland, Wales and Northern Ireland. Bus-Tops are screen based sculptural installations to be installed on the roofs of bus shelters across London, forming a city-wide exhibition platform for artists to show their work.

My project ’31 Day Programme’ launched the project on January 1st 2012. The project consists of a series of daily changing animations that are displayed in sites across London for the duration of January.

“Throughout our daily lives, we constantly absorb images and texts that generate desire or ambition; that tell us that we can be more than we are. This project is an attempt to present this phenomenon in its most blunt form as a series of inspirational, though potentially unobtainable, commands: a disembodied voice that is both nurturing and humbling. “31 Day Programme’ is an evolving series of messages and motivational challenges. Daily changing animations invite the viewer to reflect on their aspirations and potential, framed in the language of advertising and motivational books.” The Bus-Tops project continues my interest in placing works in the public realm, particularly the transitional space provided by the city’s travel network.”